There are 21 million bitcoin. That number is fixed, coded into the protocol, finite. It is one of the most consequential design decisions in the history of money, and yet for most people it remains an abstraction. Green digits cascading down a black screen like something out of The Matrix, or a talking point tossed around on a podcast.
BMAG: This concept has moved from drawings in Lugano to digital versions and tutorial videos to a full-scale oil painting, and you’re planning a monumental public sculpture in Roatán. What is it about this particular idea that keeps demanding a bigger format?
Anik Malcolm: Actually, both the Lugano drawings and the B26 painting (each 128×128 cm — about 4’2″) are on the smallest scale at which I could accurately represent the number! Each bead is 2mm (5/64″) — even smaller on the top face — so any smaller would have been unfeasible. I would also like to make a sculpture version of the same or similar size, hopefully within the next 12 months, as 55.2cm (under 2′) is still manageable in size. However, I met someone in Lugano who had spent years looking for a suitable idea for a monumental Bitcoin sculpture in Roatán, and felt that this worked perfectly. Even at a bead size of only 1cm (roughly ⅜”) with a 1cm gap in between for visual and kinetic effect, the cube alone quickly expands to 5.52m (approx. 18′), not counting the supporting structure and elevation from the ground. I feel that being able to be in the presence of all 21 million at such a grand and imposing scale would be an experience that would do bitcoin and all it stands for the appropriate justice.
BMAG: Adam Back has taken notice of the work. But if someone walks up to this painting at B26 with no math background and no particular interest in Bitcoin’s technical architecture — what do you want them to see or infer?
Anik Malcolm: I think my teenage daughter is a good representative of that demographic! She told me the other day that she would frequently come into the room where the painting has been drying “just to look at it for a while.” As I experienced while painting — I feel there is a deeply calming effect that the cube’s sheer symmetry and pattern exudes, floating and glowing in its abyssal setting, and combined with the provided soundtrack it becomes a deeply meditative and engrossing experience. And even on a basic math entry level — there are 21 subtracted squares visible on the painting! (Another beautiful coincidence — 1 square of 64², 4 squares of 32², and 16 squares of 16².) I feel, and hope, that both visitors of B26 and eventually the painting’s future owner will derive deep and sustained pleasure from this calm that was quietly encoded into that magical number, in the way both I and my whole family have during the journey of its creation — the calm methodical truth that is reflective of the bitcoin experience as a whole.
Fix the money. Fix the world.
“The Whole Entire Universe” by Anik Malcolm debuts in the BMAG art gallery at Bitcoin 2026, April 27–29, at The Venetian Resort, Las Vegas. Preview the work and explore more from the BMAG B26 exhibition HERE. A limited edition shirt based on the painting is available HERE.
The Bitcoin Museum & Art Gallery (BMAG) is the curatorial and cultural programming division of BTC Inc and the Bitcoin Conference. Since 2019, the BMAG conference art gallery has facilitated more than 120 BTC in art and collectible sales. Learn more about BMAG at museum.b.tc. Follow BMAG on twitter @BMAG_HQ.
Bundle your Bitcoin 2026 pass with a stay at The Venetianand get your fourth night free. Use code AFTERS for a free After Hours Pass, or get your pass alone here.
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